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1992-02-28
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177 lines
**************************
* *
* ACE MAILBOX *
* *
* GPO BOX 4514 *
* SYDNEY 2001 *
* AUSTRALIA *
* *
* **************** *
* **************** *
* *
**************************
The following letter is from ACE member WARWICK CUNEO
Membership No 503. Ed]
Further musings from the front line of computer illiteracy......By
the way, my Christian name is spelt WarWick, with a 'w' where that
fool American singer uses another 'r' and leads us all a little
further into error. Time for the 'Warricks' of the world to put
the record straight. We've been silent for too long.
I note Secretary Maddock's plaintive cry for more participation
from the membership, so here goes yet another missive from the
trenches. While we wait for the avalanche of response to 'My First
Article', please allow me a little more verbal diarrhoea.
I attended the last meeting, armed with more than a few queries
for the people from Bavas Music and Notator. Having postponed
their attendance at that meeting, is February definitely a 'goer',
Geoff? Forewarned is forearmed and perhaps they should be advised
that there were more than two Notator users at the meeting,
waiting for 'The Word' from those who know.
Apart from padding out the letters column, another reason for this
epistle was the demo disc of Avant Vector included with one of
those English magazines. If you recall, I had asked about
signwriting tackle for the Atari and somebody had said that Avant
Vector was the ant's pants, so it was with more than a little
interest that I dialled it up. It indeed has a version with a
plotter driver, but I do wish they'd make up their minds about the
price, which, by the way, is horrendous. One version quotes £703
and another suggests £499, admittedly, as an 'introductory offer'.
Both are simply too much for the exchequer to bear, but a discount
of 30% seems unlikely, especially when the same isuue of the
magazine offered Avant Vector Standard discounted at only 15%.
Which is it, fellas?
Of course, a head-to-head comparison with Calamus Outline Art was
very definitely in order and, at the asking prices for either,
comparisons are NEVER odious. Now as I understand (or
misunderstand) it, Outline purports to be a pretty slick package
in the drawing stakes, although its primary purpose seems to be
the mangling of fonts, and this it does to my satisfaction, but
the drawing is, to put it simply, crappy. I assume, with Avant
Vector, that the demo was the unleaded and not the super version.
By comparison, Outline comes in somewhere between Dieselene and
sump oil.
An experimental graphic using lots of curved lines proved to be
Outline's undoing, as screen updates (I think that's what it's
called when you have to wait for whatever you did to be shown),
becames progressively longer, until the thing was quite
unworkable. Being fair minded, I'm prepared to give it the benefit
of the doubt: Can somebody tell me if this is normal, or is mine
just a lemon? Avant Vector had no such problems.
Still, drawings-by-computer remain a bit of a joke. Certainly I
can draw the experimental graphic, by hand, in one tenth of the
time. The real attraction of having it 'in' the machine are the
enlargement and reduction possibilities. This can reflect a saving
in the cost of bromides. Avant Vector offers a range of line and
shading techniques which Outline does not, but the process is
still abysmally slow and the results retain the 'done by computer'
appearance. Can somebody tell me whether scanning can preserve the
original linework and how much fooling around is entailed in
'fixing the thing up'?
However, Outline remains the better of the two for text-mangling.
Avant Vector doesn't have any text capability at all. Between the
two, a pretty reasonable graphics package should result. The
Plotter version of Avant Vector will certainly need to be less
than £700. Even £500 is extortionate. Add the cost of hardware and
one would need to be doing a whole lot more sign lettering than
I'm doing at the moment to justify it.
Perhaps Avant Vector standard belongs on my wish list, but this
version is probably not as good as, say, Megapaint professional.
Anybody got any comments?
A question of the Calamus experts out there: Why is it that every
aspect of Calamus screen displays are WYSIWYG, EXCEPTING vector
graphics? Am I doing something wrong, or is it normal for the
graphics to be distorted in the vertical dimension? How can this
be fixed? Why is it that a graphic (vector) appears 'mormal' on
the screen, yet prints distorted on my laser?
Last but not least. Notator. Tah Dah!! Musical gurus should be
able to tell me how in blazes I can get the thing to print more
than 16 staff lines on an A4 page, in miniature form. Sixteen
staff lines represent 16 different instrumental parts and this, as
the gurus will be aware, is a middle-sized concert ensemble.
Trouble is, the bands I have in mind need up to 32 instrumental
parts. If I can get 24 on an A4 page, I'll be well pleased; I can
relegate the less-important parts and percussion to separate
pages. As a conductor, I find it disconcerting (no pun intended),
to read my score from separate pages.
I know that normal-sized staff notation allows 16 staves to the A4
page. Is this the limiting factor? Seems a shame to have the space
for 8 more staves in miniature form and be unable to use it.
* Please address any replies to the Editor.
< ================================ >
3rd. Jan. 1991
* from ACE member Bill Young
Dear Ed.
G'Day.............
Enough of the pleasantries. On behalf of my little STE. and
all those other thousands, of little ST's out there, I protest. I
mean to say!, how would you like it if someone, suddenly and
without any provocation, attacked your maker?. It's just jolly
lucky for you, Eddy, that my machine is not as sensitive as those
people who follow Islam, or you'd be joining that bloke, Rusken,
in hiding.
Why!, I'd no sooner put the Club Disc in his little mouth
and got it up and running, when the trouble STarted. For a
moment, he just STood STill and STared out at me, his mono eye
all grey and unblinking. I was STartled, it was'nt his STyle to
be like this. It was then that I noticed how he was capitalizing
the letters, S and T, as I was typing them in.
Let me tell you Edward, for a while there I was STunned, I
found myself at a loss, STymied sort of, it did'nt STack up.
Where?, I asked myself, did it all STem from?. Things looked
decidedly STicky, STormy even......
Of course the penny dropped just as soon as I got round to
reading your Editorial. And as I later explained to little Steve
(My STE)."Don't take offence STeve, remember,-- STicks and STones
may scratch your plaSTic, as for names, STick em in your Data
Base --. Its the same STale old STory, got out by a STaff of
unbelievers STarving for the want of a little faith".
You probably will never get around to understanding, Ted,
what your STatements, did to my little STeve's confidence. He
went to bits. It was like as if you were asking him to,"Byte the
hand that bred him". The thing to remember Ed., is that
computers,(Especially the Atari breed) are like Elephants, they
never forget (When "Turned on" that is.) and they have fantastic
memories, (More Megs than Ginger).-- My little STeve is out to
get you, Ed. He's gunna Fax you, for sure.
STeve and I, take this STance--TOS is great - STeadfast in it's
SySTem - STraight and STrong is it's Path - STaunch and STable is
it's Gate - Though STigmatized by some, it's STamina and STaying
power leads us on. Through the valley of STagnation, onto
fields, STocked with STaggering Programs and STalwart Peripherals.
ST-er's of the World, unite against this STain, caST upon
our ST Universe. STir up the bile of your anger, SToke the fires
under the STew pots of your indignation STock. ---
And Ed.-- Have a nice day.
Yours to a Cinder....Bill and STeve